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By the turn on the 20th century, amateur advisors and publications were increasingly challenging the monopoly the large retail companies had on decor.

English feminist author Mary Haweis wrote some widely read essays within the 1880s where she derided the eagerness in which aspiring middle-class people furnished their houses based on the rigid models provided to them with the retailers.[10] She advocated the consumer adoption of the particular style, tailor-made to anyone needs and preferences from the customer:

"One of my strongest convictions, and one on the first canons of excellent taste, is always that our houses, such as the fish’s shell plus the bird’s nest, must represent our individual taste and habits.
The move toward decoration being a separate artistic profession, unrelated to your manufacturers and retailers, received an impetus while using 1899 formation with the Institute of British Decorators; with John Dibblee Crace as the president, it represented almost 200 decorators across the country.[11] By 1915, the London Directory listed 127 individuals trading as interior decorators, which often 10 were women. Rhoda and Agnes Garrett were the 1st women to teach professionally as decorators in 1874. The importance of their work with design was regarded right at that moment as with a par achievable of William Morris. In 1876, their work – Suggestions for House Decoration in Painting, Woodwork and Furniture – spread their tips on artistic home design to a wide middle-class audience.[12]

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